8/11/2023 0 Comments Tom clark iconographerSoon afterward, the church took on a complete renovation of the sanctuary, including the installation of new icons created by the renowned iconographer Athanasios (Tom) Clark of Athens. In 1988, Father Chris Kerhulas was named full-time pastor of the church. Through the ensuing years, a community of members dedicated themselves to rebuilding St. Though membership declined during these years, a core of faithful members attended worship services and supported the church.Ī fire in 1977 did enormous damage to the struggling church. Urban renewal projects and the creation of the Illinois Medical District caused further displacement west from Racine to Ogden. In the late 1960s and early 1970s, Greektown was decimated as homes and businesses from Halsted to Racine and from Harrison to Taylor were torn down to make way for the University of Illinois. Parishoners began to leave the area in 1947, with the construction of the Eisenhower Expressway. The Orthodox Youth Organization of Chicago was initiated at St. The church was designated the first Greek Orthodox Cathedral of Chicago by Bishop Philaretos, who was the first Bishop in Chicago. In its April 9, 1927, account of the dedication, the Greek newspaper Saloniki noted that, “Over two thousand Greeks participated” and that more than 600 people had to stand in the aisles. In 1927, the building was transformed into a Greek Orthodox Church. By the 1920s, many Jewish families had moved to the Lawndale neighborhood, where Anshe Sholom built a new temple. Designed by architect Alexander Levy, the Greek Revival-style temple contained pews upstairs where women were required to sit during services. Basil Greek Orthodox Church was built in 1910 as Anshe Sholom Synagogue. Good poems can still offer the best kind of culture-criticism, as Rachel Loden’s do - articulating vividly our deep and simple responses to the images and icons by which history will define us.St. But whether their observations are listened to or not, keen-eyed poets have long supplied our most particularized point of view of things. ![]() Shelley thought poets should be recognized as unacknowledged legislators - an oxymoronic thought that riddles all attempts at the poet- as- social- spokesperson role. A calculated ambivalence in the way the poems come out leaves us contemplating them with many open questions dangling in our minds. Retro-set in the Sixties, Seventies and Eighties, Hollywood, the White House and the Soviet Union, among other legendary periods and venues, these small, spare melodramas of a generic epoch negotiate their wry, edgy intimations and insinuations with a cool detachment that ironically undermines their fond surface sentiments, their halfhearted attempts at a coy nostalgia. She approaches those tarnished presences with special care, disinters, dusts, polishes, re-enlivens, energetically embodies them, as though they were the only myths we’ve got. Loden’s poetic forte is a clever, subversive conversion of the clichéd figurations of kitsch into the starkly-lit truths of critical history. When God demanded Mansfield’s ditsy head.Ĭan tell a girl the way to clean him, mount Sexuality, self-esteem, and other contemporary areas of exposure are revealed as the subject matter-within-the-subject matter. With subtle skill, she deploys this subject matter to express displaced concerns, tricking out of its shopworn contents attitudes and urgencies that are very much of the moment. My new brain fizzing with implanted memories.īoldly invading territories where most ‘art’ poets seem to fear to tread, Loden exploits history, politics and mainline pop-cultural iconography for her central subject matter. I live and flourish in the smooth newt’s tiny eyes, These are the new world order mysteries - oh, ![]() Carefully angled and modulated, her mini-narratives are clean-hewn and economical throughout yet generously elaborated at all the right moments. ![]() The complication (and beauty) of Loden’s writerly comic procedure is all in the nuances and gestures of meaning conveyed by particular word-choices, tones and implications.
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